Put a press on the back and there’s no reason not to be printing anywhere, anytime.

Put a press on the back and there’s no reason not to be printing anywhere, anytime.

Tom wiping back a plate in the workshop. Film photograph by Ryan Phung.

Tom wiping back a plate in the workshop. Film photograph by Ryan Phung.

Rubber and leather ink rollers.

Rubber and leather ink rollers.

The old copper mill in Port Kembla viewed from Tom’s back porch. It will be demolshed in 2010.

The old copper mill in Port Kembla viewed from Tom’s back porch. It will be demolshed in 2010.

Wood block close up.

Wood block close up.

Printing Inks in the Duck Print workshop

Printing Inks in the Duck Print workshop

Picking colours for Richard Hook.

Picking colours for Richard Hook.

Tom’s smallest etching proofing press.

Tom’s smallest etching proofing press.

Screen printing ink in the workshop.

Screen printing ink in the workshop.

January 22nd 2010, Tom proofs one of Euan’s plates.

January 22nd 2010, Tom proofs one of Euan’s plates.

January 22nd 2010, (left to right) Tom Goulder, Euan Macleod and Steve Lopes working in the Duck Print workshop.

January 22nd 2010, (left to right) Tom Goulder, Euan Macleod and Steve Lopes working in the Duck Print workshop.

January 22nd 2010, Steve Lopes in the workshop working on his new plate.

January 22nd 2010, Steve Lopes in the workshop working on his new plate.

January 2010, Euan Mcleod returns to the Duck Print workshop to work on the plates created for the Windsor and Newton New Zealand trip. He decided to add another colour to each of the plates and worked with Whiteground for the entire day.

January 2010, Euan Mcleod returns to the Duck Print workshop to work on the plates created for the Windsor and Newton New Zealand trip. He decided to add another colour to each of the plates and worked with Whiteground for the entire day.

The 7.58am train from Central.

The 7.58am train from Central.

About:

Following: